Street art causes a reaction. It is effective. I have been appalled and moved to tears by various street artists. So this is an important category for this blog.
Street art has been around since streets started. Early frescos are being preserved in countries like Italy and Mexico. To me street art is especially important — when we are bombarded with advertising posters and commercial signs that we have no control over. I feel that gifted people who have no money to advertise or exhibit should be allowed to display their images too.
I had planned to do quite a bit on street art. However, it seems to be pretty well covered by the people I follow on WordPress, especially by my favourite, world-wide, street-art hubber Frankie Bean, who devotes time to finding the latest, greatest street art to share almost daily with web surfers. To visit: https://frankiebeane.wordpress.com
So eventually I will cover historical aspects of street art, but for now, here are some offerings with a few thoughts on street art in Southampton, where I live…
I have no time for graffiti artists who just draw penises or badly scrawl their team’s name. However one street artist assured me that people’s tags are a way of saying, “I am here!” However they do not move me as much.
And the minute someone paints something in a public place, someone will want to destroy it. Banksy usually times how long one of his works lasts before it is scrawled on, de-tagged or whitewashed over. This does not seem to bother him that so long as a few people get to see it he gets to take a photo first.
TRANSPORTED: The Future Museum of Now was an Element Arts exhibition during Southampton’s SO: To Speak word festival. It took place for two weeks inside some shipping containers located in the port city’s main ‘O2 Square’.
The exhibition transports you 500 years into the future, to the year 2515, and looks back at every day objects as relics from now.
Serpentine Pavilion 2015 is designed by Selgascano
Each summer the Serpentine invites an internationally renowned architect to create their first-build structure in England.
The brief is to design a 300 square metre pavilion that is used as a cafe by day and a forum for learning, debate and entertainment at night. A maximum of six months from invitation to completion. There is no budget for the project: it is realised through sponsorship, in-kind support and the sale of the pavilion.